Showing posts with label Art/Sun. Show all posts
Showing posts with label Art/Sun. Show all posts

Friday, January 30, 2009

HotArt in Hotlanta: THURSDAY

Last year, Karen and I visited Linda in Central Florida where we were joined by Kaye and Martha on various days for a whirlwind tour from Orlando to Gainesville and Ocala, from Tampa to Daytona and New Smyna Beach. What a treasure of impressions and interactions during that week!

This time, Linda initiated the trip to Atlanta to coincide with the Karen's gallery show and the Castleberry Hill Art Walk. Linda's friend, Kembra, offered her house and e-mailed a map. I put it on my calendar and checked the bus schedule.

Karen collected me from Greyhound and we headed north to Atlantic Station: I wanted to see the big green watery figures; she wanted to stop at IKEA. Later, we joined Linda and strolled through downtown Decatur with plans to come back for dinner and a stop at the DeKalb Farmer's Market. (DFM) Settling in at Kembra's, we snacked on a variety of breads, cheeses, fruits and wine from Trader Joe's and filled the kitchen with conversation.

Suddenly we realized that it was late and a quick trip to the DFM for breakfast goodies was in order. What a wonderful place to shop!

A genuine international market with marvelous images. (My apologies to the DFM for taking photos. My excuse for not seeing the sign near the entry prohibiting photos was "we were hurrying before they closed. . . it was late. . . it couldn't have been the wine. . . .")

And so ended Thursday....


iPhone Photos: images from not to be missed Dekalb Farmer's Market

BushStrokes (c) AAB

Monday, June 16, 2008

Art&Sun Days - A Serendipitous Day - Part II

Part I of A Serendipitous Day is here.
Continuing our adventures with Dorothy, the Chronicler and the Bronzeman
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Rock On, Norman!

When you grow up with Saturday Evening Post covers peering out of magazine racks, sliding across coffee tables and slipping from your sleeping grandfather's lap, it is difficult to imagine that they would be important enough for an art museum exhibit. Oh, I know all about how folks have decided that the illustrations created for these covers is now considered to be "Art with a capital A." I know how the painter is considered to be the Chronicler of American life -- the way we all wished it were and the way it often was. And I know that my friend, Starkey, respected both the work and the man.


But when it came to taking time to actually go to see an exhibit of Norman Rockwell's work, I wondered if it would be 'worth my time.' Linda and Karen seemed to feel the same way. We circled the parking lot, looking at the buildings of the wonderful complex where the Orlando Museum of Art is located.

Suddenly, Linda pulled into a parking place and we raced for the entrance in hopes of getting in before closing. Amazing how the decision fueled our desire! We paid our money and entered the galleries. We noticed a few other paintings and spotted some work we wish we had done. Then we saw the Rockwells. There were 41 originals just hanging there for an almost nose-to-glass look. There were 373 pristine framed covers. Technique, design, inspiration in an amazing legacy of painted stories; it was all there.

Oh my, I think my life flashed before my eyes. I think it did for others as well. I watched as a man with a familiar profile leaned in to get a better look. I pulled out my iPhone and captured an image or two -- mostly of the other people who seemed mesmerized by the art. (Linda and Karen told me the sign said, "No photos." I put the phone away.)

But what I think I saw and felt was just the same as years ago when I had a chance to see a Post cover peering out of a magazine rack or sliding across the coffee table or slipping from my grandfather's lap -- maybe hope, trust, faith.

Hope you are listening, Norman. Your Chronicles of our lives still rock!
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The Bronzeman

We ended our day of serendipity with another unplanned stop. It was after hours but there was a caterer's truck . . . just unloading. . . . We knew we were on the grounds of a sculpture garden, but nothing about the sculptor. . . . Maybe we could slip in for a few minutes.

The late afternoon sun bounced off the bronze of a large nude figure and we began to wander in that direction. We suddenly realized that we were being followed and thought perhaps we would be asked to leave.









On the contrary, we were greeted by the horticulturist for the gardens who shared anecdotes and information about a place he obviously loves. We were properly impressed by the delicate figure called "Unfettered" which he explained depicted a woman reaching for her destiny and freedom from ignorance and superstition.




There on the shores of Lake Osceola, the breezes seemed to guide us along the paths and past the sculptures of Albin Polasek. The spirituality of his figures is strengthened by his ability and by his Czechoslovakian heritage, but it is in his "Man Carving His Own Destiny" that his spirit soars.

We almost missed it. We were blinded by the nude Bronzeman.

Serendipity. Indeed



Art & Sun Days
BushStrokes (c) AAB

Thursday, June 12, 2008

Art&Sun Days -- A Serendipitous Day - Part I

Serendipity: When you unexpectedly discover something wonderful when on the way toward something else.

On Tuesday morning, Linda and I prepared to make the airport run for Karen's flight. The traffic was light and, as we drove through the area where we would eat that night at their favorite Greek Restaurant, Linda casually remarked that she had been told of a great little shop nearby, but had not located. There was the sign and there was a SALE going on with racks of goodies on the sidewalk. Serendipity!

We checked the time - enough! - and parked the car. It's amazing how much can be accomplished in such a few minutes. We filled several bags. I wonder what would happen if we acted that quickly in the studio. Could we fill several canvases with such delightful textures, sparkling colors and cool designs? Interesting thought. . . .

We hurried to the airport where Karen waited -- who would think her plane would be EARLY!?! That afternoon, we were able to find Karen's old house, make three unplanned stops where we discovered Dorothy, the Chronicler and the Bronze Man, and get to the restaurant where the waiter -- not-so-politely -- said, "No! you don't want the soup!" He finally seemed pleased with our selections and so were we. It was the proverbial perfect ending to a Serendipitous Day.

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Keep Dancing, Dorothy

The sun was a white hot glare on the street when we parked at the Maitland Center for the Arts. We weren't sure we wanted to brave the heat for what seemed a boring little tour of Old Florida. We gently refused entry to the current exhibition, choosing instead to wander the grounds in hopes of uncovering the mystique of Maitland and the old artist colony. (Would the spirit still be there?)

Each of us paused just inside the compound as we passed through the opening in the white block wall with its cement carvings. The sun was captured by the trees, moss and foliage and, in the dappled shade, seemed only like the crisp white edging of a summer dress. Each of us was taken with the notion that here, in any one of these funny little white stucco houses, we could happily spend time and create marvelous things beyond anything we now dreamed.

We wondered if artists still come to this place (they do.) We began to move through the gardens -- together, yet separately -- peering in windows, checking the foliage, wondering about this place, and yes, catching a whiff of cigar smoke -- a sure sign to some that the creator of this fantasy is still here. We did not know the story of the old Research Studio, but we felt the vision of its creator Jules André Smith (1889-1959) through his carvings, his architecture and his courtyards. (Should we have known? Should we have planned more? Would it be better if we had come with preconceived notions? I hope not.)

And then we saw Dorothy's brightly painted pieces of metal shifting with the touch of the breeze. Her swirls of color shimmered in the shade, hung dizzily from tall trees, winked through the landscape, and floated in the koi pond. Dorothy Gillespie (b. 1920 - ) would be speaking about her installation at the Maitland later in the week. We did not plan to attend.



For us, finding the energy of Dorothy dancing with the spirit of André in these intimate gardens was, unexpectedly, enough.

Indeed, it was a serendipitous day!






Art&Sun Days
BushStrokes (c) AAB

Monday, May 26, 2008

Art&Sun Days: In Unexpected Anticipation

Just as the sun peeped through the red gate near the Koi pond, I unpacked and prepared for a relaxing day of getting settled and talking art. As most institutions of beauty -- museums, gardens and hair salons -- are traditionally closed for rest and repair on Monday, we had put nothing on our schedule. Suddenly, Linda discovered that the Leu Gardens were not only open, but FREE until noon! We hurried!

We could not have found a better way to begin a week of Florida foliage, patterns and traditions. We strolled the paths of the Gardens with little comment; we both understood the artist's way of sight seeing. We noticed water patterns on nasturtiums, the velvet colors of hundreds of roses, filtered light on sculptures, and nature's positioning of reds against greens. In the quiet, we found a sense of place which I would continue to find throughout our week.

Linda and I had toured together before and had learned to be comfortable with each other. Way back in New York City for the Gates of Central Park, the two of us had taken a late night walk through the gently waving orange banners. Patches of snow glowed in the sparkling light and the banners whispered just to us. We were as exhilarated by the experiences and ideas which were humming in our heads as we were by the cold. We ended that final night at the top of Rockefeller Center overlooking that spectacular city knowing that our views of ourselves as artists had been changed.

Faced with a new adventure on this warm morning in Central Florida, our artist spirits reunited in unexpected anticipation.


BushStrokes (c) AAB

Saturday, May 24, 2008

Art&Sun Days: Disney World Is Not Needed

When the invitation to visit Central Florida came from my friend, Linda. I jokingly announced, "I'm going to Disney World!" as if I'd won some major event which could only be topped by such a prize.

For several reasons, neither Linda or I have painted for a while and this seemed to be the boost we needed. We talked of spending days in the studio exploring different kinds of watercolor paper, trying new painting techniques and visiting a gallery or two. A quiet week -- yeah, right!

As we shared our plans with the Internet friends* who had traveled together to see The Gates in Central Park and the galleries in Atlanta, the ideas began to fly and the week became a real art adventure.

*NOTE: In this photo, Karen, Kaye, Linda, Annette with the original banners from "Gates" weeks. (Flat Stanley's story about our NYC adventure here) Various members of this artists' email list have now met face-to-face in Arizona, Atlanta, California, Chicago, France, Kentucky, Miami, Santa Fe, Texas . . . .
---ooo---

I arrived early on Monday and immediately felt at home with Linda and Doug, their pets, paintings and photographs.
Karen flew from Alabama on Tuesday to join us for the week and we spent the afternoon at the Orlando Museum and the Maitland Art Center (Karen's blog -- mostly in May.)
Kaye drove over from Jacksonville for the Appleton Museum in Ocala and The Harn in Gainesville on Wednesday.
On Thursday, Martha planned a full day of galleries, museums and the Columbia Restaurant in St. Petersburg, Tampa and Ybor City. (Links for Martha's day on her blog .)
Doug showed us around his favorite old-hometown spots in New Smyrna Beach, a bit of Daytona and the Saturday market in Sanford where the streets were paved with "Augusta" bricks -- a reminder of my hometown.
And I haven't even mentioned the food!

I have come home from this walk on the beach. It will take me a while to absorb the conversations and the images of Central Florida. I will write about some of the special things, but I have learned that whenever artists are together creative juices bubble, eyes are opened to new possibilities, opinions change and ideas flow -- an indescribable Magic happens.


A sprinkling of beach sand is nice.
Disney World is not needed.

BushStrokes@AAB